HITAM MERAH BIRU HIJAU PUTIH KUNING

Thursday, February 29, 2024 at 6:16 PM

 


Hitam Merah Biru Hijau Putih Kuning


Gelap Hitamnya gaung mendalam

Menggelegak Merah gunung berapi

Terbentangnya luas lautan memBiru

MengHijau pepohon hutan belukar

Berkepulan awan Putih berarak

Terbenam menusuk mentari Kuning



Oleh Jo Haq

29 Februari 2024

6:13 petang

Bukit Jelutong


WHY DID THE CHICKEN CROSS THE ROAD?

at 4:54 PM

 

Why Did the Chicken Cross the Road?


Why Did the Chicken Cross the Road?

Because Rafizi said we'd have to reduce chicken in our diet

So, the chicken is either pissed off

.... because it has lost its importance in society

Or, it may just be happy

.... because its mortality has improved

Either or, the chicken crossed the road anyway

It is happily roaming the Earth

Or, sulking away in sadness

So, that is why the chicken crossed the road



By Jo Haq

29 February 2024

4:53 pm

Shah Alam



HEY! ORANG TUA

Wednesday, February 28, 2024 at 5:07 PM

 

Hey! Orang Tua


Hembuslah lilin itu

Pejamkan matamu

Mimpi dan angan-angan

Yang indah-indah belaka

Ramaskan yang busuk hancing

Campak jauh nun jauh ke laut

Hidupkanlah keazaman baharu

Yang bersih, putih dan mulia

Yang padat, padu lagi jitu

Semoga kebahagiaan berpanjangan

Semoga dunia ini engkau redha

Untuk imbangan duga yang laras

Bukalah matamu

Lihatlah asap berkepulan naik

Meninggalkan lilin yang cair

Maka itulah ibaratnya hilang

Apa yang harus kehilangan

Dan apa yang harus wujud

Untuk engkau insan sejati

Selamat hari jadi



Oleh Jo Haq

28 February 2024

5:04 petang

Bukit Jelutong


LEST WE FORGET THAT GUILT WHISPERS FOREVER

at 2:13 AM

 


Lest You Forget That Guilt Whispers Forever


Safe space for a difficult truth

And that is how the poem ruths

Write a thousand words to sooth

Or smell the tulips, roses and acanthus 

Yet you shall run like a headless goose

Excited over a screw that has gone loose

As if jack's beans went up through the roof

And you have now come to squeeze the juice

Hoping for its bitter to heal the bruise

And in the end you shall all be amused

Like a vampire sucking in profuse

The stale blood of those souls refused

The tale floods from whose roles abused



By Jo Haq

28 February 2024

1:58 am

Bukit Jelutong



TOP 11 GUITARS TO COLLECT

Saturday, February 24, 2024 at 5:35 PM

 

TOP 11 GUITARS TO COLLECT

by Johan Ishak


GUITARS have been my passion for years since the age of fourteen. I can still remember watching the TV when Rock in Rio was on air in 1989. I saw Slash for the very first time with his iconic gold top Gibson Les Paul. Ever since, I dreamt of owning a Gibson Les Paul. I only got to acquire my first Gibson Les Paul fifteen years later in 2005 when a guitar shop at Denmark Street, London, had a huge discount for a 2002 Tobacco Burst 60's Style Gibson Les Paul. That was the beginning. From thereon, as my music appreciation expanded from Guns N' Roses to the likes of Metallica, Deep Purple, Pink Floyd, Jimi Hendrix, Led Zeppelin, Joe Satriani and many more, Gibson was no longer the only brand that I had interest it. It expanded to Ibanez, Fender, PRS and EVH Wolfgangs.

The thing about collecting guitars is, not necessarily it needs to be brand new nor does it need to be the very expensive ones - although price can be damaging for some collectibles. So, let me share with you the 11 guitar models and editions worth collecting:


1. GIBSON LES PAUL SLASH STANDARD - There are many Slash signature editions ranging in different colours such as Anaconda green, Appetite amber, November Rain (Guns N' Roses) tobacco burst, vemilion red 4 and the list goes on. However, the most iconic of them all is called Victoria, a gold top Gibson Les Paul. The good thing about Slash's edition is that they come in Standards and not Custom Shop, which means, cheaper Gibson Les Pauls, probably around USD3,000. Best if you do not instal the pick guards because, the pick guards do look ugly in my opinion. All of Slash's Gibson Les Pauls come with Slashbucker humbuckers except some limited edition ones where Gibson actually use Seymour Duncan. If you can get the ones with Seymour Duncan pickups, it'll be a fantastic collectible item. What you should not bother looking for is the Gibson Les Paul Slash Snakepit featuring a python with the top hat image on the guitar as it is very, very rare and when you do find them, it'll cost some stupid USD99,000.


2. GIBSON SG ANGUS YOUNG - I am not a big fan of SG's. They look too over the top and the physical feel of the body is irritating. When you are hanging it on your body but with no hands holding it, it is super imbalance so much so that the head stock and neck falls down pushing the body up. That is super irritating. The body feels too compacted that, in my opinion, I do not get the right wood vibration from the guitar. Nevertheless, its satanic horn shape is quite iconic. If I ever want to buy, I'd buy the red one with black pick guard. Although Angus Young of ACDC had used a red SG on stage, he was seen mostly with a black SG. SG's would probably cost slightly cheaper than a Standard Gibson Les Paul, i.e. less than USD3,000.


3. GIBSON ES B.B. KING - What is amazing about an ES is that, the hollowbody effects on the sound is superb. That semi-acoustical surge even when on distortions is simply awesome especially when in harmonics. Most ES comes with the two f-holes on the body and some only one f-hole, hence the description Hollowbody and Semi-hollowbody, respectively. The most iconic ES is the black one used by B.B. King and despite it being hollowbody, B.B. King's version has no f-holes! Personally I prefer a dark crimson red ES with two f-holes. It costs probably the same as a Gibson Les Paul, i.e  around USD3,000. However, the thing about ES is, it is huge. It looks nice on a fat man's tummy but horrible if you are not fat. Ha!Ha!


4. IBANEZ JOE SATRIANI SERIES - Joe Satriani has many guitar editions with Ibanez, in various colours ranging from red, black, blue, white, chrome, gold to artsy fartsy designs, but never have I seen any in green or yellow. In any case, my personal pick would be a plain Ferrari red JS2480 where only this red ones have a sustainer single coil pickup accompanying the humbucker. JS series probably costs USD3,000 each and be sure that you buy the ones made in Japan. The ones made in Korea or Indonesia will not have the desired resale value albeit being an original Ibanes. If you have a money printing machine, and/or a spare USD10,000, then Satriani's top of the range would be the Ibanez JS 20th Anniversary with the iconic 3D image of Silver Surfer on it, emulating Satriani's album cover for Surfing with the Alien. JS 20th, as it is commonly refered to, only has 100 units made in Japan, if I am not mistaken. When surfing the net, as in February 2024, there is only one prelovedJS 20th available on Reverb listed by a Thai entity with the price of USD10,000.


5. IBANEZ STEVE VAI JEM SERIES - Steve Vai's top of the range series with Ibanez is the JEM PIA models. Personally, I do not like its aesthetic looks as it looks too feminine with those gayish floral motives. Hence, I would go for the older JEM such as the iconic trio JEM777 available in three neon colours: Yellow, Green and Pink. It has very ugly looking fret marks in the shapes of progressive pyramids. I also do not like its fret board because I am so used to rosewoods and JEM777 doesn't seem like it has rosewood fret boards. The pink and green ones can easily be found on the preloved market as these two colours do not fade as much as the yellow ones. The yellow ones fade dramatically so much so that it looks really old. As the neon feel is supposed to make it feel new, a faded yellow would certainly take away that feel. However, I do not like neons, so, the old yellows work well for me aesthetically. More so when it is the rarest amongst the three colours. New JEM such as PIA may cost around USD3,000 but a rare item like the yellow JEM777 can be as expensive as USD7,000. Oh ya!, don't forget, the made in Japan ones are recommended to retain its value.


6. FENDER STRATOCASTER JIMI HENDRIX MONTEREY - Jimi burned his Fender Stratocaster on stage during the Monterey Pop Festival in 1967. That is the most memorable action done by Hendrix so much so that Fender released a special Hendrix Monterey edition of a Strat. The Monterey Strat is not made in the U.S. It is only manufactured by the Fender factories in Mexico. So, for those Strat collectors, they may not like it if the Strat is not made in the U.S. One other irritating fact is that its fret board is made of pau ferro instead of rosewood. Hence, it may not sound as good as expected. However, I would still collect one simply because of Hendrix's misbehaviour of burning his guitar! After all, it only costs USD1,800.


7. FENDER STRATOCASTER YNGWIE J. MALMSTEEN - I do not appreciate scalloped frets. It disrupts my guitar playing as the notes get unintentionally distorted and flat, or sharp. This happens because I am so used to playing the rock n' roll style on a Gibson Les Paul. To play scalloped fret guitars, you need to be a shredder. Fast, swift and not too much pressure on the strings. As much as I love Malmsteen and his arpeggio from hell, I fuckin' hate scalloped frets! I would probably buy a Malmsteen Strat when I am satisfied that I have acquired all other guitars that I want in my collection simply because I do not know how to control scalloped frets. Malmsteens Strat only comes in yellowish cream body with white pick guard. This is a boring colour scheme. In addition, the frets are made of maple. I prefer rosewood. So, maybe someday, if there is a rosewood and not scalloped fret Strat on a heavy relic cream colour issued for Malmsteen series, then I might just buy one (Although I think the rosewood but scalloped fret board ones do exists as Ritchie Blackmore's signature edition). For now, I'd rather skip this first and go for other models not yet acquired. Oh! I do not mind a made in Japan or made in Mexico Strat for a Malmsteen series, as it is cheap at around USD1,500 for an undesirable model, yet fulfilling the completeness of a portfolio of guitar collection.


8. FENDER TELECASTER JIMMY PAGE DRAGON - Jimmy Page of Led Zeppelin is well known for using Gibson Les Pauls. However, his memorable performance using a violin bow was on a Fender Telecaster prior to him being accustomed to a Gibson. Page painted his natural wood body Tele with some artwork that is supposed to be a dragon. Until today, I cannot figure out how are those red and green patches resembling a dragon. In any case, it is a famous design. As it is only produced by the Mexican Fender factories, the price is at a cheap USD1,200. What is also unique about this edition is that, its pick guard is in silver-metallic mirror-like colour.



9. PRS SANTANA - Paul Reed Smith, or PRS, was only established in the late 1980's. Being a young brand, it quite impressive that PRS has a few well known guitarists using them such as Orianthi, John Meyer and the famous latino rocker, Carlos Santana. Most PRS are slick in its shape but the Santana versions are fat. That gives unique characteristic akin to Gibson Les Paul. Santana PRSs comes in many colours but the ones mostly associated to Carlos Santana are the yellow-amber ones. It fetches USD4,000 to USD6,000 a piece but if you do not mind a lower PRS version of SE, it only costs USD600. Although a PRS SE can be cheap, the fact that its fret boards are made of ebony or rosewood, I will still enjoy playing it.


10. EVH WOLFGANG - The EVH Wolfgang or Eddie Van Halen shape designed guitar, named after his son Wolfgang, is a force to be reckon with as more and more guitarists are picking it up. The Wolfgang shape, coupled with a D-Tuna system allowing the 6th string to drop from E to D was first produced by Ernie Ball Musicman for Eddie. He then later brought the design to Peavey where the necks were made of a special wood called bird's eye maple. Although, in my opinion, rosewood sounds better than maple, a bird's eye maple has the versatility that enhances guitar tapping and the smooth use of floyd rose tremolo. The Peavey EVH Wolfgang was patented in 1997. The ones manufactured up to 1997 have engraves that say "Pat. Pend" and Eddie's signature; whereas the ones subsequently, says "Patent 388,117", also with Eddie's signature. Personally, I find the Pat. Pend 1997 and prior versions by Peavey has better playability and sound resonance than the patented ones. Maybe because the patented ones were mass produced. So, a 1997 Peavey EVH Wolfgang, at USD3,000 is a very good buy. Later on, Eddie brought the design to Fender incorporating two new features, that are, rosewood or ebony fret boards and a red button for stuttering sound effects. The Fender version is at USD4,000 for American made and at around USD1,000 for made in Mexico units.


11. ESP KIRK HAMMETT EDITION. Kirk Hammett of Metallica has recently moved to Gibson when he acquired the famous Greeny Gibson Les Paul that was previously owned by Gary Moore and Peter Green. However, throughout Hammett's life as a metal guitar shredder, he has established himself as a very famous ESP ambassador. All of his signature designed guitars were from ESP, made in Japan, or ESP's second brand, LTD, made in Korea. Hammett's signature models are mostly in SuperStrat shape and comes in various iconic pop art of horror themes like Dracula, Zombie, Frankenstein, ecetera. My personal pick would be the plain black relic ESP with two stickers, one saying, "Kirk's Guitar" and the other, in orange rectangle, saying, "Caution Hot". There are cheaper versions under LTD at USD1,000 but nothing beats the ESP ones at USD3,500. To prove a point, ESP versions give the closest sound you can get when playing the riffs for Metallica's Master of Puppets.


Well, There you go. My commentaries for signature guitars that ought to be in your portfolio of guitars, if you are a guitar collector. So, happy guitar hunting guys!

By the way, recently on 11 February, it was the American National Guitar Day! We do not have such day in Malaysia (where I come from). So, an American calendar mark would do. 





JUMPA DI SANA

Tuesday, February 13, 2024 at 9:59 PM


Jumpa Di Sana


A: Jumpa di sana

B: Jumpa di sana?

A: Ya! jumpa di sana

B: Di sana, mana?

A: Di sana lah

B: Di sana? Mana?

A: Di dalam kubur moyang kau. Di sana lah

B: Di sana? Eh! cakaplah di mana?

A: Kan aku dah cakap, di sana

B: Ish! Ish! Ish! Dia ni kan, aku tampar kang!

A: Ye lah! Ye lah! Aku bilang. Jumpa kita nanti di akhirat, moga-moga di atas sana dan bukan di bawah sana

B: Ohhh! Ok lah nanti kita semua mati jugak. Macamana pun, kita sembang kat kedai kopi esok

A: Itu lah yang aku maksudkan tadi. Bongok!


Oleh Jo Haq

13 Februari 2024

9:54 malam

Bukit Jelutong



AND ALL WE COULD DO IS TO HAVE CRIED

Monday, February 12, 2024 at 6:47 AM

 


And All We Could Do Is To Have Cried


I woke up to the sound of the night

Total silence yet it possess fright

The Himalayan crystal lamp still shines bright

By the bed side it resides

My two tired eyes now open wide

Fuelled by what should have gone right

Thinking whether today will be alright

Because yesterday's (events) have gone flight

My mind continues the fight

It calculates what is there to strive

Burying all the regrets of life

Giving a new hope in sight

At 6:20 the clock acquiescently strikes

For the call of 'fallah' to ignite

May God retract all of our plights

For He bestows (mercy) to us from the height

And all we could do is to have cried


By Jo Haq

12 February 2024

6:20 am

Bukit Jelutong




AND YOU ASKED WHO FUCKED UP EVERYTHING?

Sunday, February 11, 2024 at 8:04 PM

 


And You Asked Who Fucked Up Everything?


Ask the school

And they will blame the parents

Ask the doctor

And he religiously blame your diet

Ask your imam

And he lectures humanity's sins

Ask your boss

And he shall blame the Government

Ask your politicians

And they seem to blame the economy

Ask the bankers

And a compounding response follows

Ask the City Council

And out comes the stench of your rubbish bin

Ask the beggar

And his stomach utters words of hunger

Ask the internet

And it defaults to syntax error

Ask the violent gangsters

And you'll get a tatoo on your face that says, "Fuck You!"

Ask the glowing moon

And it hides behind the never ending parade of grey clouds 

Ask God Almighty

And within your heart lies the answers



By Jo Haq

11 February 2024

7:48 pm

Bukit Jelutong



AND IF YOU PRAY FOR THE RAIN

at 7:26 PM

 


And If You Pray for the Rain


If you ask for the wealth

.... assume to lose it one day

If you seek forgiveness

.... never think it is forgotten

If you cry for a cure

.... accept to sustain the scar

If you expect others' respect

.... look inside you where you err

If you love something dear

.... you shall surely sob and cry

If you cannot stand the sadness

.... it shall soon come to past

If you hope for the sun to shine

.... shine it will only after darkness

And if you pray for the rain

.... prepare to deal with the mud


By Jo Haq

11 February 2024

7:20 pm

Bukit Jelutong







THE BRICKFIELDS DWELLERS 2

Thursday, February 8, 2024 at 4:05 PM

 



The Brickfields Dwellers 2

by Johan Ishak

March 2023

Photography

 Jalan Rakyat, Brickfields



THE BRICKFIELDS DWELLERS

at 4:03 PM

 



The Brickfields Dwellers

by Johan Ishak

March 2023

Photography

 Jalan Rakyat, Brickfields





NANAB'S PORCH

at 3:59 PM

 



Nanab's Porch

by Johan Ishak

18 March 2023

Photography

 Penang



IPOH LIME STONE

at 3:40 PM

 



Ipoh Lime Stone

by Johan Ishak

1 February 2024

Photography

 Ipoh


TUJUH BATU HITAM

Thursday, February 1, 2024 at 2:59 PM

 



TUJUH BATU HITAM

Husin Hourmain

2023

30cm x 30cm x 7 Panels

Acrylic, Charcoal and Texture Gel on Canvas

Acquired on 6 August 2023







DADDY, CAN YOU COMPILE ALL MY ARTWORK PLEASE

at 9:04 AM

 


Daddy, Can You Compile All My Artwork Please

By Johan Ishak

1 February 2024


IAN ZUHAYR's demise breaks my heart significantly. My ten year old son who could have been twelve now. How I wish I can use the words "broke my heart" in that first sentence but I cannot. It can never be a past tense. Hence, I embarked on a journey to live and coexist with that melancholy. As they say, "misery loves company".


One method that I use to neutralise sadness of Ian's demise is to keep on thinking about him by looking at stuff associated to him frequently; like, going to KLPAC Sentul where Ian had his last outing with me and his brothers, photos (also as the wallpaper to my phone), videos and going to the old house where Ian grew up from the age of two to ten. 


Ian used to give me his drawings of Godzilla and I can still remember vividly that he said, "Daddy, can you compile all my artwork please". So, naturally, another method of thinking about Ian is to look through his drawings that I still keep. 


One of my artwork for my solo show 'Pandamonium' at KLPAC Sentul is a caricature of 'Panda-ian' that has found its place on my room wall where I can stare at it from my bed. I have a mug with Ian's face on it on my table in my room. I visit Ian's grave a lot too. It is still fresh in my memory, the moments when I washed (mandi jenazah) Ian's body before his burial. It is also fresh in my memory, the moments when I observed Ian's vital medical equipment monitor (whatever it is called) in the hospital that showed a declining trend until it became a straight line.


I also sought and continue to seek divine intervention by praying for Ian's happiness in the afterlife with his late grandfather, Tok, after each Muslim periodic daily prayer. I imagine them holding hands walking towards the horizon of an amberdawn sunrise. God must have a plan to have taken away the boy that I produced and the man who produced me in a short space of three months (25 April 2022 and 21 July 2022 respectively).


I used to force myself to just cry alone at night before sleeping by remembering him. In the morning, forcing myself to remember Ian helps wake me up too. The best method is to talk and hug Ian's younger brother, Emil, a lot because Emil reminds me of Ian. Emil even smells like Ian. Amazing.

Soon afterwards, around the time I was at Haj in Mekkah (when I can see many chubby Turkmenistan boys who look like Ian), I had become used to Ian's absence in my life, so much so that I had absorbed the sadness to become accustomed to it. I even sat down with Datuk Izham Omar (a song composer) and Haze (a new singer) composing a song on Ian for Haze to sing entitled Zuhayrku Yang Tidur.


Like the Malay saying, "Alah bisa tegal biasa" or the Malay word, "lali"; the more you explore a particular matter, the stronger you are at it. This has helped me to continue to live and in time, I hope to live like a normal person where the sadness of the lost of family members will only become sweet memories of them. For this, I ought to say thank you to Ian for his request, "Daddy, Can You Compile All My Artwork Please".


Berita 7:57 of Awesome TV news report on Ian's demise due to Multisystem Inflamatory Syndrome for Children (MIS-C), a post-COVID19 condition.

Ian's last outing with his siblings, Daniel and Emil, at KLPAC Sentul where they viewed my solo art show entitled Caricreatures Return.



Ian's last Hari Raya photograph with his siblings, Daniel and Emil.



Ian's last photograph of him alive.


Al-Fatihah









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