Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

THE BEST ACOUSTIC GUITAR

Thursday, May 29, 2025 at 4:58 PM

 

THE BEST ACOUSTIC GUITAR

By Mazlan Mahdi

29 May 2025


ACOUSTIC GUITARS are the basic fundamental tool for any guitarists. At our old office in Brickfields, I used to grab Johan Ishak green Gibson J-45 to our 30 storey emergency stairwell, just to hear how crispy, weighty it still sounds in the massive washed up reverb in there. Such a sonic fantagasm those sessions were. I fell in love at J-45 on its first note, so to speak.


Months later, Jo took me to a Gibson super store in Bukit Bintang, and asked me what I wanted for my surprise birthday gift? Maybe he was bothered by me "kidnapping" his guitar to the stairwell..ngahaha. since I have already fallen in love with the J-45 sound, but I don't think it's fitting to ask or receive a RM20k guitar from another guy - WHILST knowing I don't wear skirts nor a bra...ngahaha. 

So I opted for a cheaper version of J-45, which is an Epiphone Slash acoustic guitar, inspired by the Gibson J-45. And wow, I can pledge on any day, that it's almost as good. Pairing the Epiphone Slash with NUX OPTIMA pedal, will get any job done.


We both know one guy (who proclaims to know it all about guitars) who said there're only two acoustic brands in the world to go for, which are Martin and Taylor. He never bought a J-45 nor a SJ-200 though he is financially able. Never liked the sound, he said. Clearly, he needs to have his ears trained, a tad more - before stereotyping it to such. I beg to differ, and still put my foot down for a J-45 as the main workhorse in any condition.




GIBSON LES PAUL - MODEL APA NAK BELI KALAU FIRST TIMER?

Saturday, November 11, 2023 at 12:43 PM

 

GIBSON LES PAUL - MODEL APA NAK BELI KALAU FIRST TIMER?

Review oleh:

Johan Ishak

11 November 2023



STANDARD atau STANDARD 50's - OK best to start with kalau baru nak start Les Paul.  Nipis sikit neck dari yang lain and ada lengkung sikit on the edge. So, bila tukar dari Strat or Tele or PRS or Ibanez, tak ganggu playability. Nak angkuh sikit, ambik Slash edition of Standard :)

STUDIO / TRIBUTE / JUNIOR / P90 / MINI HUMBUCKER - Macam tak cukup pergi humbuckernya... rasa macam ada ruang2 kosong dalam bunyi... maybe kalau main blues ok kot. Kalau metal or rock & roll aku tak berapa puas.... baik single coil je macam strat.

MODERN - bunyi ada sikit digitalised ke arah Ibanez sikit. Tapi ringan sebab body dalam dia buang kayu ada rongga.. tak sakit bahu memikul.

CUSTOM / CLASSIC / SPECIAL / DELUXE / SUPREME - Ni dah harga mahal punya range.. ada yg sampai RM15k, RM18k RM20k ke atas.... sakit wallet. Macamana mahal pun, aku tak suka fretboard and neck dia sebab tak smooth especially edge of neck dan tebal. Bunyi baik sebab lagi full body dari Standard but terpulang pada telinga masing2. Baik Standard or Standard 50's sebab nipis sikit neck and ada lengkung sikit. So, bila tukar dari gitar brand lain, tak ganggu playability.

Apa-apa pun, tak payah kot beli Epiphone Les Paul. Tunggu sampai ada duit nak beli Gibson. Meanwhile, elok pakai je Ibanez RG Series or Fender Stratocaster/Telecaster Made in Japan pun ok.

Ok, tu je. Kalau tak setuju, ada aku kisah?

Hehehe.....


ASMARA KITA

Thursday, August 31, 2023 at 8:32 PM

 


Tajuk: Asmara Kita

Lagu: Jo Haq (Johan Ishak)

Lirik: Jo Haq

Vokal: ?

Produser: Tomok/Rudi

Penerbit: AMN Music and Talent


Link to YouTube for Demo


Asmara Kita 

Intro: 
Am/A…..Am/Ab Am/G Am/Ab 
Am/A…..Am/Ab Am/G Am/Ab 
Am/A…..Am/Ab Am/G Am/Ab 
Am Am Am Am 

Verse 1: 
Am/A…..Am/Ab Am/G Am/Ab 
Aaaaaaa…Aku 
Am/A…..Am/Ab Am/G Am/Ab 
Menjelingkan dia 
Am/A…..Am/Ab Am/G Am/Ab 
Aaaaaaa…Aku 
Am/A…..Am/Ab Am/G Am/Ab 
Mengekori dia 

Chorus: 
Dm 
Asmara kita berdua 
Am/A…..Am/Ab Am/G 
Bagai bulan dan bintang 
Dm 
Asmara kita berdua 
Am/A…..Am/Ab Am/G 
Kembang dan kumbang 
Ooooooo. yeahhhh 

Verse 2: 
Am/A…..Am/Ab Am/G Am/Ab 
Diiiiiii….. Dia 
Am/A…..Am/Ab Am/G Am/Ab 
Tersenyum padaku 
Am/A…..Am/Ab Am/G Am/Ab 
Diiiiiii….. Dia 
Am/A…..Am/Ab Am/G Am/Ab 
Wajahnya sungguh ayu 

Chorus: 
Dm 
Asmara kita berdua 
Am/A…..Am/Ab Am/G 
Bagai bulan dan bintang 
Dm 
Asmara kita berdua 
Am/A…..Am/Ab Am/G 
Kembang dan kumbang 
Ooooooo. yeahhhh 

Bridge: 
Am C E
Biarlah kita berdansa
Am C E 
Melupakan segalanya 
Am C E 
Tidak endahkan dunia 
Am C E Melupakan segalanya…. yeahhh 
Am/A…..Am/Ab Am/G Am/Ab 
Am/A…..Am/Ab Am/G Am/Ab 
Am/A…..Am/Ab Am/G Am/Ab 
Am Am Am Am 

Verse 3: 
Am/A…..Am/Ab Am/G Am/Ab 
Kiiiiiiiii…. KIta 
Am/A…..Am/Ab Am/G Am/Ab 
Sudah jatuh cinta 
Am/A…..Am/Ab Am/G Am/Ab 
Kiiiiiiiii…. KIta 
Am/A…..Am/Ab Am/G Am/Ab 
Harus lekas menikah 

Chorus: 
Dm 
Asmara kita berdua 
Am/A…..Am/Ab Am/G 
Bagai bulan dan bintang 
Dm 
Asmara kita berdua 
Am/A…..Am/Ab Am/G 
Kembang dan kumbang 
Ooooooo. yeahhhh 

Closing: 
Am/A…..Am/Ab Am/G Am/Ab 
Am/A…..Am/Ab Am/G Am/Ab 
Am/A…..Am/Ab Am/G Am/Ab 
Am-Am-Am-Am-Am 
As-ma-ra-ki-taaaa


CINTA

at 2:39 PM

 

Tajuk: Cinta

Lagu: Jo Haq (Johan Ishak)

Lirik: Jo Haq

Vokal: Ariff

Produser: Tomok/Rudi

Penerbit: KRU Music


Link to YouTube for Demo


CINTA


[Intro]

Em (with high G note)

D (All open string except 1st string F#)

Am

B7


[Verse 1]

Em                  D

Dalam pertemuan ini

Am            B7

Aku diberi Cinta

Em               D

Apa ada padaku......

Am                B7

Yang kau puja.... Oh! Cinta


[Verse 2]

Em                  D

Senyuman manismu itu

Am              B7

Merawat lara di jiwa

Em                D

Menghias hidupku ini......

Am                B7

Yang kau terima.... Oh! Cinta


[Bridge]

C                            B7

Ku berjanji 'kan setia padamu.....

C                            B7

Ku bersumpah 'kan hidup denganmu....

C           B7

Aku.... Cinta... Oooooo...


[Chorus]

Em  C       G               D

Cinta kaulah permata

Em  C                G           D

Cinta kau mempersona

Em  C          G           D

Cinta yang ku damba

C                                B7

Tiada yang lain dari mu

       Em     D     Am  B7

Cinta.... Ohhh.............





JIKOJOH (sesi 1:2015) - Pertandingan Jamming Melalui YouTube

Saturday, January 10, 2015 at 2:57 PM




MY PICK ON TOP 10 BEST MUSIC ALBUMS

Wednesday, November 19, 2014 at 7:30 PM

have always been fascinated with music. Recently, I googled "music" and explored various knowledge sites. It seems that the word "music" came from the word "Muses" that means the daughters of Zues who are advocates of knowledge such as Literature, Geography, Mathematics and, of course, Music. Personally, my passion does include Music. Only yesterday I had a jamming session with a famous local composer, Ahmad Izham Omar. We played some Blues and Rock and Roll alongside the band members of D'Kechewas (Azhar, Iesta, Kamal and Eddy). Our favourite genres may differ but once the band members click together, they produce magic... music magic. As an extension to my love for music, yesterday (also), I bought a brand new electric guitar - an Ibanez SA Series - in dark sexy red. I call her Scarlet Ibanez. Scarlet will share jamming studio with my other acquisitions, Sabrina Gibson and Frieda Fender. These 3 females are the only females that my wife will not be jealous of :)

So, given this passion, I thought I might as well end 2014 with a blog post that is less technical, more cultured, no politics and explores the right side of the brain (mine) that sheldom gets attention. Hence, I would like to share with you my pick on the Top 10 Best Music Albums... the kind where you will like all the songs and not skip tracks. Of course these are biased towards my kind of genre, which is rock. The Top 10s, in no particular order, are:


1. ... and Justice for All - Metallica: Metallica has always been my favourite band. There is no wonder why I start the list with Metallica. To be honest, my favourite album from Metallica is Master of Puppets because of a few songs, namely, Master of Puppets, Orion and Welcome Home (Sanitarium). However, I do skip some songs when I play the album. ... and Justice for All on the other hand, gives me a fuller appreciation of an album. I can just let it play from track 1 till the end. I think this is because, by far, this album showcases the best of musical performance of all the individual musicians in the band. The infamous bass drum beats by Ulrich and the mind blowing chords arrangement by Hetfield just set the benchmark for Heavy Metal. This album was also the debut for their bassist, Newstead.


2. Appetite for Destruction - Guns n' Roses: I grew up in the late 80's and early 90's where Rock and Roll was still strong. At that time hip hop was creeping into the mainstream pop culture and rock was diminishing. The only surviving Rock and Roll bands at that time were Rolling Stones, Aerosmith and Guns n' Roses. This album showcases magnificent Rock and Roll with Slash shocking the world with his awesome Blues scaled solos on the Gibson Les Paul and a music wizard touch for Rock and Roll by Izzy Stradlin, it just makes it a complete shout when Axl clads those songs with his lyrics.
 

3. Come Hell of High Water - Deep Purple: What can I say? All 80's and 90's rock bands must have had their references from their predecessors. Deep Purple goes deep into influencing many rockers. Not so much of Rock and Roll but what they represented was the epitome evolution into Heavy Metal. The mastermind, guitarist Ritchie Blackmore, is a genius. While other guitarist were still exploring the usual Blues scaled Pentatonic on Minor to suit the Rock genre, he was already on an adventure to go beyond those scales and combining other patterns inclusive of arpeggios at a tremendous speed. I salute Blackmore. True enough, when I had my guitar lessons, Deep Purple's solos are some of the toughest to follow. This album is a live recording of a decent selection of their songs.
 
 
4. Celebration Day - Led Zeppelin: Enjoying Deep Purple was intense. It gets too technical. When you wanna get out of that zone and just wanna be relaxed, Led Zeppelin offers a soothing easy Blues Rock and Roll feel. It feels good when you can play along the guitar solos with Jimmy Page as his was the usual template. What makes them cool is the grove in each song. It is the kind of Rock that does not demand head banging but a hippie dance.. whatever that means. That is the sort of happiness that Robert Plant can offer to his listeners. Celebration Day is a live recording of a reunion concert of the band members (the dead drummer, Bonham, was replaced by his son). At an old age, they can still perform a mind blowing Rock and Roll saga.
 
 
5. The Pulse - Pink Floyd: At one point, I had enough of Heavy Metals and Rock and Rolls. I wanted an alternative source of music appreciation. At that time, alternative meant the Grunge bands like Nirvana. However, I chose to look back. When everyone was hypnotised by Rock and Roll, Pink Floyd was already branching into alternative realm just like how Salvador Dali went into surrealism when other painters were on their tracks for modernist expressionism. This is also a recording of a live concert that has songs from across all of their albums. Floyd's fresh outlook into music brings you to a fantasy journey. You need not move your body to appreciate it. Your mind does all the work. Truly magnificent. Kudos to their main movers Roger Walters and Dave Gilmore.
 
 
6. Rubber Soul - The Beatles: Having Izham Omar as my mentor in music cannot depart me away from his favourite band, the Beatles. Their genre may not be within my likings but the relevance of what they contributed to the mushrooming of rock bands across the globe is just phenomenon. Some appreciation are acquired taste. Some required a bit of convincing before you can say, "Ahhh,.. I get it!" So I decided to buy all the albums by the Beatles. My first impression was, wow, Pink Floyd was not the only experimental alternative band of their time, the Beatles was the epitome unprecedented trend changer. You cannot imagine how they can be ahead of their time. Given my taste in genre, I have decided to choose a darker, less fun fair type melodic numbers. Hence Rubber Soul.
 
 
7. Ten - Pearl Jam: In the late 90's, many alternative (Grunge) bands emerged. These are the usual 4-chords per song type music with distortions to hide technicalities and sometimes, the bloody guitarists went against the normal convention for guitar string tunning of E-A-D-G-B-E. In that ocean of alternative bands, Pearl Jam made their way up by combining both Grunge and Rock and Roll feel. This way, they captured both youth and matured audiences. It was quite delightful for me to have known about them as they provided a bridge between the old wave (Rock and Roll) and the new (Grunge). So far, Eddie Vedder is my favourite Rock vocalist because his voice offers the depth for songs that comes from a wide spectrum of genre. 
 
 
8. Live in UK - Helloween: Exploring rock uncovers many sub-genres. You have Rock and Roll for a start. Then Heavy Metal, Black Metal, Grunge Alternative, and there was Speed Metal. Having the melody and the groves were not the only attributes that give you the adrenalin rush. Speed is the new substance for youngsters. Helloween is speed like no other. Their songs are so damn fast and with that crunchy "distortion"ed guitar riffs coupled with their shrieking-voiced vocalist, you are set to fuel your momentum especially when running a marathon. Live in UK is a live recording of a selection of songs from their albums. The reaction of the crowd in that concert, as apparent from the recording, is just overwhelming. People sang along to numbers such as Dr Stein and Future World.

 
9. Blood Sugar Sex Magic - Red Hot Chilli Peppers: In my quest to diversify my music appreciation (instead of remaining in the myopic world of Rock), Funk was a good chapter to push me to the boundaries but not too far. It was a rewarding journey. I used to practise my drumming to Red Hot Chilli Pepper's songs because their colourful Funk breaks the monotonous structure that Rock had traditionally embedded. Thanks to the drummer, Chad Smith, Red Hot Chilli Peppers managed to secure its position as the leading Funk band. Over its life this band produced many good albums but none ever surpassed the popularity of this album. Every song in this album tells a different musical story but yet all portraying that unique selling proposition of a new age Funk advocate.
 
 
10. Son gs of Innocence - U2: U2 is an Irish band that accumulated fan base big enough to challenge Madonna or even Michael Jackson in the 90's. The albums that made them famous were Joshua Tree and, subsequently, Achtung Baby. For me, notwithstanding that my favourite U2 songs are from these 2 albums, I still find myself skipping one or two songs when playing them. This year, 2014, they released their new album, Son gs of Innocence. The album showcases fresh new sounds but yet, unmistakenably U2 predominantly as a result of Bono's voice, that familiar drum beats by Muller and Adam's heartfelt bass lines. The Edge, the guitarist/keyboardist, on the other hand, has matured in song writing producing the most melodic albums I have ever heard. Kudos.
 
 
There you go! You may agree or not agree with my pick but hey, it's my post and this is who I am..... a rocker!! Have a pleasant year end holidays and see you in 2015!



MY MUSIC ODYSSEY

Friday, April 4, 2014 at 11:24 PM

Music was no longer driven by energy alone. It had various elements that require intellectual intervention. Everything had to be synergised like pieces of puzzles - chord arrangements, melody, genre, beat, lyrics, types of instrument and the most epitome ingredient, the "feel"


USIC has always been a significant part of my life. Not because I grew up with music, but because I made a conscious effort to have interest in it. I grew up in a typical conventional traditional Malay family where the ultimate focus was being put on education and religion. Music was never part of that. It was all about tuitions for the core subjects like maths, English and the like. Music class was unknown in my family. I wanted to become a fine artist but responsibly pursuaded otherwise by my father. I became an Accountant instead. Having said that, where did the opportunity to love music came from? My father do listen to music but it was not fresh enough for the liking of a kid like me (back then). We are talking about names such as Frank Sinatra and Nat King Cole alongside the local counterparts such as Ahmad Nawab, Syed Agil and of course, who cannot resist, P. Ramlee (Tan Sri). The radio scene was also quite limited to Zainal Din Zainal or Nuramin from Radio Malaysia Ibu Kota (popularly known as RMIK).
 
So what had opened my eyes (or rather my ears)? It was a few names as listened from cassettes bought by my father - Alleycats (Kerana), Kembara (Duit-Duit) and Sudirman (Chow Kit Road). This showcased music as a point of interest to me. The point where I begin to request my father to buy more cassettes of those artists. On the foreign influence side, Michael Jackson was at that time winning all trophies possible via Billy Jean, Beat It and of course, Thriller. The first foreign cassette I'd ever listened to was the compilation of 1984 Grammy Award winners simply because Michael Jackson was on it. This exposed me to more good tunes such as Uptown Girl (Billy Joel), Telephone (Sheena Easton), All Night Long (Lionel Ritchie) and many more. But soon, foreign influence (on me) depleted as the popularity in school (primary) was heavily fuelled by Search (Rozana), Lefthanded (Tiada Lagi Kidungmu) and a few more Malay Rock'n'Roll bands.

Secondary school was a bigger pool of musical experience. We were having super bands from both local and foreign scenes assimilating into our hungry sponge for entertainment. Search (Fenomena album) continued being the No.1 band in Malaysia and Wings (Hukum Karma album) rouse up to be of equal strength to Search. The guru behind Kembara (whom I was listening to initially) now decided to expose himself as M. Nasir storming Malaysia with his solo album featuring Mustika. On the English path, along came Guns'n'Roses, Metallica, Iron Maiden, Bon Jovi, Manowar, U2, Helloween, Sepultura, Nirvana and many more. During that time I begin to learn how to play the guitar. That opened the gate to a new realm of music, the instrumentalists such as Yngwie Johann Malmsteen, Steve Vai and Joe Satriani. As you can see, my musical inclination moved away from the Pop genre that Grammy Awards was dominated by, to Rock'n'Roll and Heavy Metal.

By the time I left for Australia for my tertiary studies, I had made a myopic decision to only accept "Rock" as my preferred genre and closed the doors to any other genre. Being a rocker was cool and that accepting other genre was pathetic, or at least, that was what I was thinking. Metallica became my favourite band and I begin to do a retrospective journey tracking the roots of "Rock". From contemporary (at that time) Heavy Metal bands like Metallica, I managed to trace musical influences to the grandfathers of Heavy Metal, namely Black Sabbath, Deep Purple and Led Zeppelin. These bands had strong blues influence. That led to the discovery of a softer "Rock" such as Pink Floyd, Dire Straits, Double Trouble, the Police and of course, The Beatles. These bands introduced me to great musicians such as Ozzy Osbourne, Ritchie Blackmore, Jimmy Page, David Gilmore, Dr. Mark Knofler, Stevie Ray Vaughan, Sting and Sir Paul Mcartney. Of course I knew Elvis Presley is the king of rock but I never went that far. He did not fit in into my appetite. What did fit in naturally was and still is, the modern Rock King, inventor of freakish blues, Jimi Hendrix.

Occasionally I do enjoy some pop songs but it was more because of the sexy girls singing - Madonna, Kylie Minogue, Shakira, Spice Girls, Christina Aguilera, Britney Spears and the list goes on. Hip Hop was not in my DNA except for Will Smith. At that time the Rock influence was deeply embeded especially when jamming sessions (I play the bass guitar) were filled with Rock songs, or, if not, derivative of Rock, such as Alternative or Grunge. That myopic dimension was soon broken when I met Ahmad Izham Omar, a Malaysian song writer and producer (who produced Innuendo's albums). We talked about music. We strategised genres to capture audiences when he was the CEO of 8TV and radio stations such as Hot FM, Fly FM and One FM. We had some jamming sessions, of which, some of it involved stars such as Amy Search and Jacklyn Victor. He was well balanced in his interest. He appreciated both "Rock" and "Non-Rock". He simply appreciates music... full stop.

He (Izham) provided me with a new realm of discovery - music was no longer driven by energy alone. It had various elements that require intellectual intervention. Everything had to be synergised like pieces of puzzles - chord arrangements, melody, genre, beat, lyrics, types of instrument and the most epitome ingredient, the "feel". It is as if music is supposed to give some transcending enlightenment. As a result, I started listening to  Chick Corea, Kenny Wayne Shepard, Jeff Buckley, John Mayer, Mike Stern, Tracy Chapman, Living Colour and had intensified my listening to Izham's favourite, The Beatles. I learnt a hell of a lot about music from Izham. It gets interesting when he makes fascinating observations on song structure. For example, most songs have even bars in a verse (eight or four) but the song Yesterday, by the Beatles, has seven. He also gave me insights on how my bass guitar playing should fit in bridging the beats from the drums to the other instruments and laying out the rhythms for the vocals and guitars to ride on as well as providing the notes and melody that fences a song together. This all sounds very philosophical but when comprehended, it is the substance of that "intellectual" intervention that makes a song really, really good to listen to.

In the end, I had embarked on a wonderful journey into the music world retrospectively and prospectively; and jumping from one genre to another. I accept all genres of music for a better understanding of music universally. I also utilise, where possible, the various techniques that the different genres can offer, and, in my mind, appreciation of music cannot be guided by the musicians solely as it must reciprocate the interest of the listeners. In other words, musicians should not limit their musical creativity to what he or she believes in but also to include what the listeners believe in. Despite all that, when asked who or which band had the most influence in my musical journey, I'd answer, Metallica!!!!! ..... and hail Burton.

 
METALLICA
(Original Lineup excluding Dave Mustaine)
L to R:
James Hetfield (Vocals/Guitars), Kirk Hammet (Guitar),
Lars Ulrich (Drums) and Cliff Burton RIP (Bass)

D'KECHEWAS 2012 LINE UP BAZOOKA'ED MEDIA PRIMA TV SCREENINGS 2013

Monday, January 28, 2013 at 2:24 AM

www.buanaseni.blogspot.com

D'Kechewas 2012 Line Up Bazooka'ed Media Prima TV Screenings 2013


'KECHEWAS had Johan on Bass and Rhythm Guitars, Eddie on Drums, Iesta on Vocals, Izham Omar on Keyboards and Bass, Datuk Kamal on Percussions and Azhar Borhan on Lead Guitars. Our X-Man MZul was absent due to his study leave in the UK for Script Writing. We rocked the stage of Media Prima TV Screenings 2013 like we never did before. We even had special guest playing the bass for us, who else no other than the Media Prima big boss, Dato' Amrin. It was a night to remember. It was aesthetically fun. It was passion burning with the desire and love for music. It was D'Kechewas.

We hit the stage with an opening medley of Red Hot Chilli Peppers' Give It Away, Aerosmith's Walk This Way and a classic from Queen's Under Pressure. The trio medley gave the crowd a reason to stick around head banging like there was no tomorrow to appreciate music. Enough of a punchy opening, the band mellowed down into Every Breath You Take with Dato' Amrin leading the band with his bass lines like Sting himself playing the bass strings.

To light up the night, out of no where, Jacqueline Victor appears driving the crowd nuts and there was nothing else that we could do other than hitting a bluezy number of Give Me One Reason by Tracy Chapman. From the blues, we progressed into rock & roll manifested by Free's All Right Now, of course, still having Jacky on vocals. Jacky's voice was so mesmerising that something had to be done to reinforce that feel..... and with the wisdom of our keyboard wizard, Izham, Jackson 5's I'll Be There filled the air with Jacky's best ever live performance for that night.

The Jacky and GMD (Amrin) session ended full of flavour that it was appropriate to have some local taste to the explosive night. Iesta continued on with Search's Rozana and like Halley's Comet striking the Earth, on the second verse, Amy Search! jumped on board. Bloody'ell.... the owner of the song himself performing it - what an epitome line up! As we all know it, Amy Search is a big fan of the Stones (Rolling Stones),.. and what happened next, was beyond believe. The stage was rockin of Stone's Honky Tonk Women with everyone rollin and rockin. Truly a dream come true for a small jamming band like us.

Next with horns flanking us, we did a number on our signature cover for Wilson Pickett,...... Yes! Mustang Sally! Ride Sally Ride! ... and we were riding Sally all night long, we were. For some reason we've always enjoyed performing Mustang Sally and I think, we will continue to have this song on our list to mark our presence. As usual, Izham vetoed everyone with a song from his favourite band, the Beatles, doing a Twist & Shout and as you may have guessed,... the crowd was doing the Twist!! on the dance floor..... If that is not participation, I don't know what is..... Awesome! An ending with the Beatles have always been successful leaving behind a sweet after taste to the whole set.

The crowd began to shout, "We want more! We want more!". What more can we give? We had done 11 Songs, the most we'd ever done so far. Then we remembered that we used to fool around with some Hendrix in the jamming studio. So,.. Hendrix it is then. Izham abandoned his keyboards and was now grabbing the bass from Johan. Johan had to grab something else - the closest to him was a Gibson Les Paul,.. oh! whadda hell, guitar it is then. And with full of firing inferno, D'Kechewas bazooka'ed the night with Fire. The crowd was chaotic like it was the remake of Woodstock! Fuhh!! Hendrix never failed to crunch that raw feel in you, don't you think so? Everyone was tired and again, some sweet song that everyone can sing along had to be done for the real closing of the night. Surprise, Surprise, another Beatles - Hey Jude ended the concert..... and it was history that we all shall remember forever :)


 


The Bassist of D'Kechewas doing a Yngwie Johann Malmsteen teeth picking on the guitar

HAIL! HENDRIX

Sunday, December 25, 2011 at 12:06 PM
www.buanaseni.blogspot.com

ENDRIX is my Idol. I am sure he is (Idol) for most of you who appreciate guitars. I don't intend to write much on this post. All I want to share is the below list... a Top 10 list for the greatest guitarists by Rolling Stone (2011). It is no surprise that Hendrix is at the top of the list. Why? Well, my personal opinion is that: Hendrix revolutionarised guitar playing to an unprecedented level. He made guitar solo and vocals to co-exist as the body of a song simultaneously rather than having guitar solos as a distinct section of a song arrangement. He trancended Rock and Roll and Blues to a more dignified status, but his (genre), is a signature that no one can ever recreate without plagiarising his tunes. He is the founder of Freakish-Blues. Truly a Legend. Hail Hendrix!

D'KECHEWAS ROCKED THE STAGE AT MEDIA PRIMA NITE LIVE TV SCREENINGS 2012 POST-PARTY

at 12:01 PM
www.buanaseni.blogspot.com

D'Kechewas rocked the stage at Media Prima Nite Live TV Screenings 2012 Post-Party

'KECHEWAS once again stormed a night, this time at Media Prima Berhad's TV Screenings for 2012, "The Media Prima Nite Live", on Friday 28 November 2011. The band had the same line up as per previous appearance at Hard Rock Cafe Penang last year. As usual, the Sifu, Ahmad Izham Omar, led the band into what is said to be their best performance so far. They chose good songs relevant to the crowd. They modified the song arrangements to be more accomodative of the ambience and, they even added in some "retarts" (odd timing pauses) in between verses and choruses. The vocalists, MZul and Iesta, a magnificent duo, who exchanged jokes in between songs, did so tactfully to the extent that panties were flying in the air onto the stage - pink and black ones to be exact.

The music saga started with the intense and provocative drum beat from Eddy filling the air with adrenalin rush. The sound was familiar to the crowd where you could see some half-head-bangings happening. Azhar joined Eddy with the riff that only confirms the crowd's anticipation of the song,...... Are You Gonna Go My Way by Kravitz. Shortly, the keyboards, the bass and the percussions filled the air and off went Iesta with the lyrics sounding just as charismatic as Lenny Kravitz, if not better. (Video recording of this song in the U-Tube link below)

....... a concise, simultaneous and forceful strike of the note "C" by the guitars, bass and keyboards, coupled with the drum hit, simply gave a punch to a very rocking song. Kappowwww!



Just as soon as the first song ended, the Drummer went "One, Two, Three......" (Errrr... was it "Two, Three, Four..."?), and the whole band rushed into the intro for Crying by Aerosmith (In the above U-Tube link). The sweet, calm and melodic first few verses of the song sort of stabilised the crowd for a while but the chaotic floor went crazy again the minute Iesta hit the chorus. At one point Iesta pointed to Azhar shouting Azhar's name and that was when, the magnificent solo skills of Azhar manifested itself to the world. Towards the end, the first "retart" was done with Iesta's hand up in the air pausing every band member's urge to hit a note resulting in a total silence enveloping the air. The minute the hand stroke downwards, a concise, simultaneous and forceful strike of the note "C" by the guitars, bass and keyboards, coupled with the drum hit, simply gave a punch to a very rocking song. Kappowwww!

The band took their time to rest a bit while MZul and Iesta entertained the crowd with jokes and prize giving sessions. The band also took the opportunity to clear the stage from having panties lying around (thrown by the crowd). Then it was the time for another song when MZul shouted "We're gonna do a number from Stoooone, Templeeeeeeeee, Pilooooooooots....". The crowd went into the luna mode again when the vocalist, this time MZul, starts the ball rolling for an alternative, grunge and popular song Plush. It was a cool and smooth song that ended with a heartfelt piano playing by Izham.... but,.. it wasn't an "End",.... it was a "Beginning". A beginning to another song - a gimmick Izham loves to do.

The soft piano piece suddenly means a lot to the crowd when MZul started to sing Oasis' Don't Look Back in Anger,... at which point, Johan was already sitting down on the stage's front staircase with his hands up in the air waving left to right and vice versa, only to be followed by the crowd. The soothing verses of the song came to a profound rhythmic composure when all musical instrument started to make sound at the bridge of the song, into the chorus. The song ended with Izham's beautiful piano playing again except that this time, it was the true ending with no gimmicks. To set the stage for what was to come afterwards, three additional musicians came onto the stage carrying a trombone, a saxaphone and a trumpet.

Izham started the piano/keyboards with a soulful rhythm and shortly, drums and bass kicked in with the horns flanking the motion. The sound was a familiar one (to those who were there at Hard Rock Cafe Penang previously) and Iesta's words only confirmed it when he went "Mustang Sallyyyy...... " (A song by Wilson Picket). Iesta, MZul and Johan moved their bodies to the grove while Dato Kamal's voice can be heard for backing vocals. The entire band participated extraordinarily on this one as most of them seem to claim that this is their signature cover song (as naturally earmarked at Hard Rock Cafe Penang). To mark the special status, Izham had the horns section from the band (Audrey's) that performed earlier during the TV Screenings to join us. To add the gimmick, we had a "retart" on this one! The second Iesta reached "Now you come around, signifying a woman baby.....", the entire band went silence until he continued "you won't, you won't let me ride.. Mustang Sally...", the band rushed in at "Sally".

Next was MZul's dancing session. Mzul declared "I feel I wanna dance" and the band went funky with Prince's Kiss. Somewhere in the middle of the song MZul and Iesta did some "Piccadilly" dance moves but as usual, MZul couldn't resist dancing with the girls on the floor. He jumped down from the stage and started dancing with the crowd. Guess what, another "retart"!!! but this time, MZul took his time. It was a long silence until he went "Women not,..." at which point, Eddy struck the snare and the whole band was in action again.

The last number had to be Izham's choice. The leader chooses the finale. It is from his favourite band, The Beatles. The song was most appropriate to close the occasion with dignity, satisfaction and joy (except that the bassist suffered the most given the fast pace running bass for the entire song). D'Kechewas closed the night with I Saw Her Standing There.








The Bassist of D'Kechewas







__________


D'Kechewas are:

By order of appearance in the below photo from left to right:

Rhythm Guitars and Vocals: M.Zul
Bass: Johan
Keyboards: Izham Omar
Drums: Eddy
Lead Guitars: Azhar Borhan
Vocals: Iesta
Percussions and Backing Vocals: Dato' Kamal (not in the photo)

THE BRIEF HISTORY OF MUSIC

Friday, April 8, 2011 at 2:38 AM
www.buanaseni.blogspot.com

HMAD IZHAM OMAR talking about the brief history of music is/was a memorable moment for me this morning. The meeting was meant to be a discussion about how to make money in music but it turned out to be a history class. It was quite gratifying to uncover how music had evolved from a mono note sound to the various genres we hear today. He was very fast and for that, I may have not recorded his teachings accurately. So, if I make any errors in this blog post, it must be because of my lack of shorthand skills rather than his miseducation. Being a music lover myself, getting tuitioned from a very well known composer like Izham is truly a chance of a life time that means a lot. So, to all of you music lovers out there, I would like to share with you "The Brief History of Music":

THE BRIEF HISTORY OF MUSIC

The Beginning


In the beginning, music was nothing other than mono notes being sustained. During the Gregorian era, multiple notes were introduced, and there was "Harmony". This is believed to be the start of writing music on paper, ie. music notations. I did some research on this Gregorian era and found the below at wiki.answers.com



There are arguments concerning the proper use of the term "Gregorian" in reference to chants. Generally the term refers to any chants written in the church modes, often employing texts from the psalms or the gospels. They developed during the papacy of Gregory the Great (d.604) but generally refer to the Church music of the 11th through 13th centuries. The Gregorian chant contained phrases that are aesthetically pleasing to the eye often in the form of arches. Musical strains were often related to the text in the context of the contours of the musical line and what the text is addressing.

The Classical Era


Gregorian music evolved into Classical music. This is when names such as Johann Sebastian Bach, Wolfgang Amadeus Mozart, and Ludwig van Beethoven came to light. They were the pioneers of Baroque music that was classified as Classical. Back then it was considered weird (or even diabolic), but of course, it gained popularity later against the ancient folk music. Baroque means extravagant, complex or bizarre. Yup, "Bizarre". Subsequently, a genius by the name of Richard Wagner emerged with theatrette expression sounds - the sounds in movies that enforce feelings of what is intended (Example, the scarry sound in horror movies). But of course during Wagner's time, the 1800's, it was the operas rather than movies.

The Band Era

Classical music later evolved into Marching Bands which used mostly percussion and wind instruments. It was originally used in the military as troops marched from one location to another. Marching Bands then evolved into Swing Bands. Swing uses a strong rhythm section of double bass and drums as the anchor for a lead section of brass instruments such as trumpets and trombones, woodwinds including saxophones and clarinets, and sometimes stringed instruments such as violin and guitar, medium to fast tempos, and a swing time rhythm. This is when name like Louis Armstrong and the whole bunch of musicians from New Orleans emerges. They call it Dixieland, a style of instrumental music associated with New Orleans and characterised by a relatively fast two-beat rhythm and by group and solo improvisations. Naturally, my next sentence would be ".... and there was Jazz". Dizzy Gillespie being one of the pioneers of Jazz and Charlie Parker took Jazz further into Bebop, a jazz style emphasising aggressive, energetic playing, especially rapid and difficult chord change. Of course Jazz also did evolve on its own into Acid Jazz and Electric Jazz Fusion like that preached by Chick Corea.

The Vocals Era

Returning back to Swing, it did not only gave birth to Jazz. There were also other derivatives of Swing that set the foundations of the modern day music. They are Blues and Crooners. Crooners tends to highlight the importance of vocals. Human voice(s), which was initially "rhythm" in nature (eg. choir in church), had now received the world's attention. One of the famous crooners is Frank Sinatra. Many came after him but one Crooner who significantly change the world's acceptance from a slow tempo to an up tempo music is none other than the King, Elvis Presley. His unique performance that introduced the element of "glam" and rushing tempo earned him the title King of Rock and Roll. The "glam" bit was the catalyst for the emergence of Disco type genre which of course, now evolved into a more stable genre known as Pop. Some other significant genres that emerged from vocal-centric music would be Hip Hop (eg. Will Smith) and New Wave (eg. Duran Duran).

...and all hell broke loose

As you may very well know, Elvis was the start of Rock via his Rock and Roll gift to humanity. However, it wasn't him who broke the hell loose for Rock music. The Beatles came down to Earth from the sky and opened the flood gate to offsprings of Rock genre to an unprecedented level. The widespread of new sub-derivatives of Rock simply came to existence at biblical proportion. You have Blues (that came from Swing Band) with names like John Lee Hooker and B.B. King, whose influence is merged with Rock, magically producing fantastic musicians/bands like Stevie Ray Vaughan, Pink Floyd, Led Zeppelin, Deep Purple, Dire Straits and of course the guitar legend, Jimi Hendrix.

Rock was then broken into pieces like broken glasses. Too name a few:

1. Rock and Roll
2. Glam Rock
3. Blues Rock
4. Freakish Blues Rock (Only Hendrix)
5. Hard Rock
6. Heavy Metal
7. Speed Metal
8. Black Metal
9. Alternative Rock
10. Grunge
11. Indie
12. Punk
13. Funk
14. Progressive Rock


~~~~~~~~~~~~~~~~~~~~


So, Yeahhh. My session with Izham basically went through the brief history of music from the Gregorian era to the current Barrack Obama's era. I hope this has been an informative read for those who love music,... especially the rockers!

MOST INSPIRING GUITAR SOLOS

Sunday, January 23, 2011 at 2:35 PM
www.buanaseni.blogspot.com

UITARS are really cool, especially solos. It can have a very profound impact to your spiritual well being. When the notes and melodies of a solo piece touches your heart, and at that point you close your eyes, you know that that aesthetic appreciation has transcended your awareness of existence to a dream land where nothing else matters other than the music in your soul. It is as if you found God. Remember that moment when you sip your black coffee after a long and tiring day? Remember that sweetness of water when the sun sets and you break your fast? Remember that last puff of ciggarettes when yhou decided to quit? Remember that first making of love when you lost your virginity? Well, that's what I'm talking about. Pure blissfulness enveloped by the goodness of life. I hate to extend this poetic thoughts further. To cut short, why not I share the most influential guitar solos, at least those that have a long lasting heartfelt scar on my musical soul. They are, not in any particular order:



1.
Master of Puppets
Guitarist: James Hetfield of Metallica (yup! not Hammett)
Guitar: ESP
Genre: Heavy Metal
Go to Minute 3:30 at link
http://www.youtube.com/watch?v=WEL6_SuQCu8



2.
Stairway to Heaven
Guitarist: Jimmy Page of Led Zeppelin
Guitar: Gibson Les Paul
Genre: Rock and Roll
Go to Minute 1:20 at link
http://www.youtube.com/watch?v=dmKeIlJq4gM&ob=av3nm



3.
Theme from Godfather
Guitarist: Slash of Guns n' Roses
Guitar: Gibson Les Paul
Genre: Classics
Go to Minute 0:00 at link
http://www.youtube.com/watch?v=wPJM4czWkNw



4.
Child in Time
Guitarist: Ritchie Blackmore of Deep Purple
Guitar: Fender Stratocaster
Genre: Hard Rock
Go to Minute 0:00 at link
http://www.youtube.com/watch?v=bQzwqGBLYn0



5.
Another Brick in the Wall
Guitarist: David Gilmour of Pink Floyd
Guitar: Fender Stratocaster
Genre: Mild Rock
Go to Minute 3:53 at link
http://www.youtube.com/watch?v=VZbM_MIz4RM



6.
Still Got the Blues
Guitarist: Gary Moore
Guitar: Gibson Les Paul
Genre: Blues Rock
Go to Minute 3:43 at link
http://www.youtube.com/watch?v=i6IO5EN49hY



7.
Adagio
Guitarist: Yngwie J Malmsteen
Guitar: Fender Stratocaster
Genre: Classical Rock
Go to Minute 0:00 at link
http://www.youtube.com/watch?v=F0ubklCoM8Y&feature=related




8.
Always With Me, Always With You
Guitarist: Joe Satriani
Guitar: Ibanez JS Series
Genre: Slow Rock
Go to Minute 0:00 at link
http://www.youtube.com/watch?v=6yc8xyL0Xxo&feature=related




9.
Texas Flood
Guitarist: Stevie Ray Vaughan of Double Trouble
Guitar: Fender Stratocaster
Genre: Blues
Go to Minute 0:20 at link
http://www.youtube.com/watch?v=b-_ii2D9eNA



10.
Little Wing
Guitarist: Jimi Hendrix
Guitar: Fender Stratocaster
Genre: Freakish Blues
Go to Minute 0:00 at link
http://www.youtube.com/watch?v=8OdTjN8quJY&feature=related



There are more actually but 10 would suffice for the time being. I will share more when I remember more tunes from my CD collections or iTunes. So, ya, remember to close your eyes, blast the volume and let your mind fly when the notes hit your heart.

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